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FACULTY | Gina White |
DAY / TIME | Tuesday 6-9pm | October 1 - December 3, 2024 |
TUITION | $870 + $50 Materials Fee |
Payment & Refund Policy Scholarship Opportunities |
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LEVEL | Intermediate |
FORMAT | In-person, enrollment is limited to 8 students. |
PREREQS | Photography II: Black & White required; familiarity with Photoshop recommended |
CREDITS | 3 – Fulfills Elective requirement for Certificate Program |
There are more options available to photographers today than ever before. Today, we can blend modern day techniques and a rich history of methods, mediums, and processes in ways that were often not easily accessible to photographers. There has also been a resurgence in the interest of the more traditional and alternative processes, as photographers and artists look to reintroduce their subtle hand into the creation of their work in ways that differ from our modern approaches to photography and the printed artifact.
Methods in Alternative Process I is a foundational course designed to develop the basic skills necessary to create, edit and maintain digital negatives used in traditional contact printing, alternative processes, and mixed media. The course is designed to provide students with the tools and techniques used in Adobe Photoshop to create suitable black and white images that can be used in the creation of the traditional and alt processed print.
To ensure that students can apply the skills necessary to be successful in future courses, Methods in Alternative Process I focuses primarily on the required digital skills and techniques students will need to successfully create the adjustment curves, images, and workflows necessary for printing digital negatives. These skills will then be applied to learning contact printing with traditional silver gelatin papers. In the next course, Methods in Alternative Process II, students will take the skills and techniques developed in this course and apply them to a variety of alternative processing methods.
While you need a basic understanding of Photoshop/Lightroom to create black and white images, the course has been designed to get you into the darkroom as quickly as possible. Over the 10-weeks of the class, we will cover the basics of digital negatives and how they can be used to print nearly any historical process.
IMPORTANT NOTES FOR STUDENTS
Image © Carlo Bellabara, PCNW Student